The Rosetta Stone, the Parthenon Marble, and the Assyrian lion hunt are just some of the many art treasures we’ll cover in this three-hour, in-depth tour of the British Museum. Led by a trained archaeologist or historian, our critically acclaimed British Museum walk visits this fantastic collection, taking into account how the British Museum came into existence in the mid-eighteenth century during the period of Enlightenment. By limiting our group size to no more than six people, we’re able to take a deeper approach to the collections and conduct the visit like a true walking seminar.
We begin with the Enlightenment gallery, formerly known as the King’s Library; this room was the first part of the new museum building as it is seen today. Although each walk evolves differently depending on our docent's area of expertise and the interests of the group, we generally start with a thorough overview of how the British Museum came into existence in the mid-eighteenth century. We'll talk about how archaeology evolved from the work of antiquaries: how art history was born with the study of ancient Greek sculpture and vase painting and how Greek art set the standard for the next 200 years of what was considered the model of fully-evolved art.
From here we will traverse the halls of the museum, visiting its most important rooms. This includes the Egyptian collection. Here, we will discuss how ancient texts came to be deciphered in the first place and we will compare the ways in which hieroglyphs and cuneiform, the two earliest scripts, were cracked.
We will also look at several of the antiquities and languages of ancient Iraq and Iran, as material from these areas forms some of the earliest collections in the British Museum. Large-scale excavation in the ancient Middle East and the race to decipher hieroglyphic and cuneiform scripts were inspired by the finds from Mesopotamia and Persia. The beginnings of the British Museum are inextricably tied to the European re-discovery of these ancient cultures.
Our discussion will be illustrated by the Rosetta Stone, which now lives in the British Museum, along with nearly 130,000 pieces of cuneiform tablets from ancient Iraq, some of which are on display. Depending on the interests of your docent and the group, we may then spend time looking more in-depth at the art of ancient Iran and/or of ancient Iraq in its earlier phases, before taking in the palace reliefs of ancient Assyrian kings that form the best collection of ancient Iraqi sculpture outside Baghdad. Or, we'll spend the rest of our time looking at the Parthenon Marbles, which will bring us back to the beginning of our discussions of what the eighteenth- and nineteenth-century European viewer perceived as the highest art form.
|Duration: 3 hours|
|Venues: British Museum|
After a very happy time leading walks for Context in Rome, Caroline returned to her native London 6 years ago to complete a Masters degree in Classics at King's College London. Now in the final year of her Ph.D., researching the collection of Latin Inscriptions during the Grand Tour. Whilst much has been made of the sculptures brought back to England by the Grand Tourists of the 18th Century, little has been said about the inscriptions also collected, or the tourist's engagement with them, so her research is looking to fill that gap. The project is closely connected with the British Museum, which is also conveniently one of her favourite London destinations. When not leading walks for Context, Caroline can usually be found in the British Library, teaching Undergrad courses in the Classics department at KCL, or in one of London's many lovely parks with her dog.
Michael Mulryan completed his PhD thesis at UCL and has lived in London for nearly ten years. He has taught at Royal Holloway and University College London. Michael specialises in late antique Rome but is interested in ancient and medieval urbanism in general, and the transition between the two. He is currently involved in a dig at Ostia, the ancient port of Rome. As part of his research he studied at the British School at Rome. Michael thinks London is one of the greatest cities in the world, but thinks the Luftwaffe and post-war architects have a lot to answer for.
Sarah Ciacci has lived and worked in London all her life, but pops over to Rome fairly often. After completing her MA in History of Art at University College London, specialising in late 19th Century French Painting and mid 20th Century Art, she has worked in different areas of the contemporary art world in both London and Rome, before deciding to focus on gallery education. This necessitated a far greater knoweldge base, so Sarah trained to be a guide and qualified as a City of London Guide and as a Blue Badge Tourist Guide in 2008. She now works as a guide, specialising in Museums and Galleries as well as tours for children and young people, she teaches courses in art history and the history of London at the University of Richmond and works as a gallery educator at the National Portrait Gallery and the Dulwich Picture Gallery, specialising in tours for older people and people with Dementia.
Sue King was born a Londoner and has lived in several other cities including Seoul, Berlin and Washington DC. Since returning to London, she has spent the last three years studying its art, architecture, literature and history.
Sue holds a research MPhil in History of Art from the Barber Institute, Birmingham University and has specialist knowledge of Victorian Britain through her study of its painting and literature. Her thesis, on symbolism in Victorian Art, focused on the work of the Pre-Raphaelites and she has also made studies in 20th Century American art.
Sue is fascinated by London's history and is most interested in the artists and writers who have helped to define it. She loves to recount stories of their lives and works, and their connections with each other and the city.
Lawrence travelled and excavated extensively in Israel, Jordan and Egypt before attending the University of Durham where he studied archaeology. He specialised in ancient human remains during his Masters' at Liverpool University Medical School, followed by a year of travel and excavation in the UK and Africa. He won a scholarship to attend University College London, where he wrote his Doctorate on ancient populations of the Western Mediterranean basin and the Canary Islands. He currently lecture at Birkbeck College, University of London. He carries out research at London's Natural History Museum and spends several months each year working on a major archaeological project in Peru. He is also connected with excavations in Egypt, Bolivia, California, Sierra Leone, Ghana and Spain, where he works with a forensic unit recovering the fallen from the 1936-1939 Spanish Civil War. In addition to his research, he has interests in the classical world, ancient Assyria, geology, palaeontology, twentieth century art history and the history of London.
Kevin Childs has worked as a publisher, an actor and a research consultant. Having gained a first class degree in English Literature at Oxford and an MA at the Courtauld Institute of Art in London, he has completed a PhD at the Courtauld examining the ways in which Michelangelo influenced the art of his contemporaries. Although his heart is in the Renaissance, his interests range from Greek and Roman classical literature to the art of twentieth-century Mexico. Kevin has lived in London for over 20 years and has a great passion for the city, its history and all that it currently offers. He has also spent extended periods of time in Italy, Greece, Turkey, Mexico, Egypt and Morocco. He writes regularly on art and travel.
Lelia completed her PhD in art history at New York University’s Institute of Fine Arts where she specialized in Northern Renaissance and Baroque art. She has taught in New York and in London and has worked in a number of museums including the Metropolitan Museum of Art and the National Gallery of Art, Washington. Most recently, Lelia researched a new acquisition bequest at the Morgan Library and Museum. After also living in Paris for a few years, Lelia was thrilled to relocate to London where she enjoys exploring the city fabulous museums and historical sites.
Being an islander (originally from Sicily), it is not surprising that Helen’s key interest should be the study of Mediterranean archaeology, particularly understanding the development of island cultural identities in the context of early civilizations. She gained her PhD at the Institute of Archaeology, London, in 2005, and her dissertation covered the entire Mediterranean, from Gibraltar to the Levant, and from prehistoric to Roman times. Since 2006, Helen has been an Associate Lecturer and Honorary Research Fellow at the University of Kent, and more recently a tutor at Birkbeck College. She has supervised research-led excavations in Italy, Greece, Cyprus, and Morocco, and has worked in British contract archaeology. Having lived in London for some fifteen years, and having worked as Senior Archaeologist for the Museum of London for five years, Helen has first-hand knowledge of the city’s archaeology and hidden history. She is the author of several reports for the Museum of London, including a popular booklet detailing the museum’s recent discovery of Shakespeare’s first theatre in London, Shoreditch. Helen currently shares her time between London and Berlin.
Alex Rodriguez Suarez is currently completing his doctoral research in Byzantine history at King's College London. A transplant from Barcelona, Alex began giving tours of buildings of La Ruta del Modernisme in Barcelona in 2006, when he became an official guide of the Catalan government. He moved to London in order to pursue his passion, the world of Byzantium. Since 2007 he has been working at the NPG, where he also gives Gallery Talks. Alex loves history but also is interested in art and architecture and has a passion for visiting British country homes and archaeological sites all over.
Anna Harnden Tryon
Anna Harnden is an independent curator working on historic and contemporary exhibitions for public institutions such as the British Museum as well as contemporary commercial exhibitions at her own gallery. Having lived in London for over eight years and working within and with many of its institutions, Anna enjoys providing the occasional 'behind the scenes' moments as part of her tours.
Throughout her career she has curated exhibitions and displays for the British Museum including Treasures of Heaven: Saints, relics and devotion in Medieval Europe and historic and contemporary collections in Treasures of the World's Culture. Prior to this she managed the Southwark Art Collection and worked at The Wallace Collection. Whilst studying for a BA in History of Art and an MA in curating at the Courtauld Institute she co-curated the contemporary art exhibition East Wing VIII On Time including Anthony Gormley and Mark Wallinger and the exhibition Once Upon a Time Artists and Storytelling including Paul Gauguin and Tracey Emin.