National Gallery for Families Tour
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Francesca grew up in West Wales, but coming from a long line of Londoners she soon found herself living and studying in the capital. She completed both her BA and MA at the Courtauld Institute of Art, specialising in Aesthetic Movement art and interiors. Whilst studying, she kept herself busy running the family events programme at Westminster Abbey and volunteering on the education programme at Dulwich Picture Gallery. After graduating in 2008, she went to work at the Royal Academy of Arts organising visits to historical properties and collections in and around London. Since 2013, she has lectured on the history of interior design at KLC School of Design. She also works as a gallery educator, planning and delivering workshops that engage young people in the visual arts. She has written widely on exhibitions and private collections, with a recent focus on producing art history learning resources.
Maurizio is originally from Cortona, Italy. He studied as an interpreter and continued on with a second University Degree in Languages and Visual Arts in Siena (with Honours). He worked as teacher, interpreter and guide in Italy until 1990 the year when he settled in London. Since then he qualified as a Blue Badge Guide and City Guide. He receive a third University Degree in Philosophy and Theology University of Louvain (Belgium) London campus (Allen Hall). He attended visual arts courses at the Victoria and Albert Museum, Tate Gallery and City Lit. He has become an Art Expert for Tate Galleries. Alongside with his guiding, he is also tutoring and lecturing for the Tate Galleries and the Institute of Tourist Guiding (History of Art).
Hattie has a degree in History of Art and an MA in Historic Interiors, she has a life-long passion and fascination in Fine and Decorative Arts, particularly works produced in Europe from the 16th to 18th century. After working for the Royal Collection in the Print Room at Windsor Castle, she was a curator for a private collector of 17th and 18th century prints and drawings. This sparked a keen interest in portraiture and English art, as well as the printed image. Hattie has worked for London's foremost framer of important old master paintings during which time she sharpened her appreciation and understanding of the decorative arts and the changing tastes of collecting. Recently she has been dealing in prints and works of art as well as taking groups of all ages to museums and galleries.
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