A native Parisian, Laure-Caroline, completed her PhD at the Sorbonne, with a focus on Paul Cezanne, and other impressionists, on which subjects she has published three books; Lire la peinture de Cezanne (Larousse 2006) and Les oeuvres de l'Impressionnisme (Larousse 2007), l'Art Abstrait (Larousse, 2010), in addition to contributing to various French publications on art history. She currently teaches art history at the Sorbonne University, the University of Connecticut study abroad program and also fine arts at the Ecole de Communication Visuelle. Laure-Caroline is extremely passionate about art and art history, and tries to convey this passion to the people she teaches.
Marie Theres is a painter who has made Paris her home for more than two decades. She works in her studio in Montmartre and shows her paintings in galleries in Europe and the United States. She studied history at the University of Cologne, Germany and painting at the Pennsylvania Academy of Fine Arts in Philadelphia before coming to Paris to study art history at the Ecole de Louvre. Her knowledge of art history is enhanced by her practical painting experience. Beyond a purely academic approach, this enables her to convey the emotional dimension of the artwork and to focus attention on the act of creation. She loves to share her passion for art and painting and is fascinated by the 19th-century artistic heritage of Paris, its art movements, and urbanism.
Pablo is a historian specialized in the interaction between arts, culture and politics in early modern Europe. In 2008 he received a PhD in European history from the Universidad Complutense, Madrid, and has been a postdoctoral research fellow at the European University Institute, The Italian Academy at Columbia University and the Metropolitan Museum of Art. Pablo is also the author of three books on court culture and royal identity. He lived in Naples, Washington, London, Florence and New York before arriving in Paris as a researcher at the Institute national d’histoire de l’art (INHA). He is currently writing a book on the display of antiquities discovered in Herculaneum and Pompeii in the 18th century.
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Fondation Claude Monet, Giverny, and Monet's Garden
Bateau Lavoir, Place du Tertre, Saint Pierre de Montmartre, and Sacré-Coeur