Nadia has a degree in art history from the Ca' Foscari University in Venice and wrote her thesis on the painter Francis Bacon. After various work experiences, both in public and private sectors, she collaborated in drafting the online magazine "Engramma," which dealt with the study of the classical tradition in Western culture and the mechanisms of transmitting ancient culture in our contemporary age. The magazine was created in conjunction with the Department of Architectural History at I.U.A.V University. Nadia has also spent time in France working at the "Les Abattoirs" center for contemporary art in Toulouse. In 2009 she obtained a guiding license, and through this work is able to share her passion and knowledge of art history, literature, and the history of Italian and Venice with others. Nadia enjoys approaching artworks as a lens through which to investigate and reconstruct historical contexts.

Born in Venice, Giovanna has a degree in History of Art from the University of Padua. She lived in Brussels and then in Vienna for several years working in international contexts and dealing with different cultural environments. She earned a Master’s degree in Marketing and Advertising at the Ecole de Commerce Solvay writing a final paper on a project for a new Museum of Contemporary Art in Venice. While working for the Museum of the Belvedere in Vienna she developed a passion for cultural guiding. Her experience in the tourism grew on her return to Italy, where with a friend she took over a 4 star Hotel. Fascinated by the power of communication of art she became a licensed guide of the city of Venice and enjoys the beauty of her native city every day.

Cristina has been a qualified tour guide and lecturer in Venice since 1991. She holds a doctoral degree in contemporary German literature with a thesis on Venice as a motif in collective memory, and majors in history and art history. She worked for the UNESCO Venice Office as a researcher in the field of handicraft and collaborated with the Council of Europe in the frame of the Faro-Convention on the concept of Cultural Heritage as applied to Venice. Cristina is also a writer and has authored books on Venice: Venice Master Artisans (2000; 2003) on the great craftspeople of her city; an essay on the glass master Lucio Bubacco for the artist’s monograph, Eternal Temptation by Dan Klein (2008); a book on the gardens of Venice in 2017 and a guidebook about the places of the Protestant Reformation in Venice in 2018. After winning an award for first-time authors, in 2020 her first novel "L'ultima Testimone" was published by Garzanti Publishing House. Because her first love was literature, she sees herself as a ‘storyteller’. She knows and tells many anecdotes and small stories along with the big History of this legendary city.