Sarah Ciacci has lived and worked in London all her life, but pops over to Rome fairly often. After completing her MA in History of Art at University College London, specialising in late 19th Century French Painting and mid 20th Century Art, she has worked in different areas of the contemporary art world in both London and Rome, before deciding to focus on gallery education. This necessitated a far greater knoweldge base, so Sarah trained to be a guide and qualified as a City of London Guide and as a Blue Badge Tourist Guide in 2008. She now works as a guide, specialising in Museums and Galleries as well as tours for children and young people, she teaches courses in art history and the history of London at the University of Richmond and works as a gallery educator at the National Portrait Gallery and the Dulwich Picture Gallery, specialising in tours for older people and people with Dementia.
Sue King was born a Londoner and has lived in several other cities including Seoul, Berlin and Washington DC. Since returning to London, she has spent the last three years studying its art, architecture, literature and history. Sue holds a research MPhil in History of Art from the Barber Institute, Birmingham University and has specialist knowledge of Victorian Britain through her study of its painting and literature. Her thesis, on symbolism in Victorian Art, focused on the work of the Pre-Raphaelites and she has also made studies in 20th Century American art. Sue is fascinated by London's history and is most interested in the artists and writers who have helped to define it. She loves to recount stories of their lives and works, and their connections with each other and the city.
Jim came to art history relatively late. After training at RADA and working as an actor and musician in theatre and television for over a decade, he arrived at the Courtauld Institute of Art where he took a BA, MA and PhD, writing his doctoral thesis on Donatello. He held two Postdoctoral and Research Fellowships at the Courtauld, undertaking research on sculpture during the English reformation and revolution, before taking up his current post as Teaching Curator at the Ashmolean Museum in the University of Oxford. Jim is a Londoner, a dad and a cyclist, and would usually rather be at Lord's, watching the cricket.