We will begin by discussing the history of the Tate Modern, particularly the conversion and opening of the gallery in a disused power station in 2000. We will also look into the history of the area, Southwark, and its historical associations with entertainment and industry. Once inside, we will spend some time in the Turbine Hall, which usually features a current installation, before moving into the permanent collection. As we move around the gallery, we will discuss Tate Modern's ground-breaking hang, which challenges the convention of displaying art chronologically and is instead organized around four wings, each of which is centered on a seminal artistic moment of the twentieth century.

As we work our way through twentieth-century art, we will discuss why certain styles and movements proliferated at this time and examine different artists and works in relation to not only the artistic tradition but also the socio-political climate of the period. We will begin with early challenges to traditional modes of painting, focusing on Cubism, which was pioneered by Picasso and Braque and which questioned the way in which we perceive things, alongside the works of the colorist Henri Matisse, who wanted his art to have the effect of a good armchair on a tired businessman. Tate Modern has one of the finest Surrealist collections in the world; in relation to works by Dali, Magritte, and Miro, we will discuss the beginnings of the movement in the 1920s, its attempts to produce an art of the unconscious, and its ability to question our ideas about reality. Giacometti's sculptures of slender figures will begin an inquiry into how the trauma of World War I and World War II affected modes of representing the human figure as well as the relationship between art and humanity.

We will also look at Marcel Duchamp's radical use of unconventional materials and ready-made objects in the early 1900s and his influence on mid-twentieth century artists such as Andy Warhol, who represents pop art and how it challenged consumer culture; Joseph Beuys, who represents conceptual art and its emphasis of idea over object; and Donald Judd, who represents minimalism and its strongly abstracted works using modern, industrial materials. Last but not least, we will examine works by contemporary practitioners, considering not only their context but also their place in the trajectory of twentieth-century art.

At the end of our time together, we will have a deeper understanding of 20th-century art and the work of several practicing contemporary artists.