Susan has over ten years of experience teaching the History of Art for prestigious university programs in the UK and Italy. After graduating in the History of Art and Italian in 1998, she took an M.A. concentrating on art and architecture in Venice, and in 2004 she completed her specialization with a Ph.D. on Venetian Renaissance altarpieces. As a post-doctoral researcher with the University of Glasgow and London's National Gallery, she worked as a researcher and editor on the National Inventory of European Painting, the on-line catalog of European paintings in British museums. Susan has also contributed articles to the Burlington Magazine and Artibus et Historiae. Susan met her Venetian husband Paolo in 1997; they have a young son and divide their time between homes in Italy and the UK.

Originally from Venetian mainland, Matteo has lived in different countries, which sparked his interest in art history and archaeology. He holds a B.A. in Cultural Heritage Preservation and an M.A. in Archaeology - specializing in Islamic Archaeology - from the University Ca' Foscari, Venezia. Matteo chose to specialize in Islamic Archaeology, due to his personal passion and curiosity for the Islamic World: this particular interest was developed after several travels and stays in different Middle Eastern countries. He has worked as a freelance archaeologist following projects in different locations of the Veneto Region in Italy and in Cairo, Egypt. Matteo became a qualified tourist guide for the City of Venice in 2009, and he has been collaborating with Context since then.

Nadia has a degree in art history from the Ca' Foscari University in Venice and wrote her thesis on the painter Francis Bacon. After various work experiences, both in public and private sectors, she collaborated in drafting the online magazine "Engramma," which dealt with the study of the classical tradition in Western culture and the mechanisms of transmitting ancient culture in our contemporary age. The magazine was created in conjunction with the Department of Architectural History at I.U.A.V University. Nadia has also spent time in France working at the "Les Abattoirs" center for contemporary art in Toulouse. In 2009 she obtained a guiding license, and through this work is able to share her passion and knowledge of art history, literature, and the history of Italian and Venice with others. Nadia enjoys approaching artworks as a lens through which to investigate and reconstruct historical contexts.